- #HER SPIKE JONZE CINEMATOGRAPHY MOVIE#
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- #HER SPIKE JONZE CINEMATOGRAPHY FREE#
Simmel (1903), a German sociologist and philosopher, described individualism as necessary to maintain because of the tendency in society to see people as a uniform group with a single historical and cultural heritage.
#HER SPIKE JONZE CINEMATOGRAPHY FREE#
People do not talk to each other because they are immersed in the interaction with their operating systems and only have unavoidable relationships and desocialized free time (Schou, 2014). In fact, the sequences in the elevator and on the train show that the society in which Theodore lives is very individualistic (Jonze 2013, 0:03:50 to 0:05:10). Theodore does not have any other source of happiness in his life (Jonze 2013, 0:05:57 to 0:06:57). Later on, the main cause is revealed to be from divorcing his wife. By not including them in the ideal futuristic Los Angeles, the film suggests that technological developments and wealth will only be available to white people, and so people from other races will not be included (Harrison, 2014).īy the end of the opening scene, it is clear that Theodore has a very unsatisfying and depressing life (Jonze 2013, 0:00:00 to 0:05:57).
This is deeply problematic because nearly fifty per cent of the population in Los Angeles has Hispanic origins (Harrison, 2014).
In fact, the film is dominated by the presence of white high-middle-class citizens while Hispanic people do not even appear (Harrison, 2014). Harrison (2014), a writer for Expedictionary, explains in his article that this apparently perfect look of the city vanishes once we notice the absence of races other than white people.
#HER SPIKE JONZE CINEMATOGRAPHY FULL#
The modern architecture and infrastructures, the aesthetically pleasing design, the streets full of young and healthy people, and the absence of cars make it look like an ideal city of the future. This strong presence of doubles suggests that the reality presented is not as beautiful as it looks (Hawthorne, 2014). called Samantha is considered a surrogate for the human girlfriend he cannot find (Hawthorne, 2014 Jonze, 2013). Later on in the film, there are two other elements explored: the virtual reality in which Theodore starts living is supposed to compensate for his unhappy real life the A.I.
#HER SPIKE JONZE CINEMATOGRAPHY MOVIE#
In a similar way, the city of Shangai, where the movie was shot, is used to represent the future version of Los Angeles (Hawthorne, 2014 Jonze, 2013). Because of this, Theodore's job is to substitute the real writer of the letters (Jonze, 2013). The protagonist writes very detailed and touching love confessions or birthday wishes based on the information that his clients provide him (Jonze, 2013).
Theodore's job is to write personal letters for people who find difficulty expressing their feelings (Jonze, 2013). In fact, in the following scene, everything already presents a substitute. (Check Variety, The Hollywood Reporter, TIME and Indiewire for other effusive reviews.The first important aspect to highlight is the strong presence of surrogates or substitutes, as Hawthorne (2014), an architecture critic of the Los Angeles Times suggests in his article. "Her" is one of the saddest films of 2013, but also one of the most hopeful: Jonze threads the needle between comedy and drama in ways that surprise all the way through the final shot. (Cinematographer Hoyte Van Hoytema, who also shot "Tinker Tailor Soldier Spy" and "The Fighter," and is currently working on Christopher Nolan's "Interstellar," makes the film look beautiful.) Moreover, while the premise might appear silly on first glance - "When Teddy Met Siri" - it's merely a set-up for Jonze, Johansson and Phoenix (plus an excellent supporting cast, featuring Amy Adams, Rooney Mara and, for one great scene, Olivia Wilde) to explore the nature of relationships, heartbreak, humanity and loneliness. That Jonze takes his time as a filmmaker is evident from the first minute of "Her," which is set in a near future where iPhones have been replaced by fully immersive operating systems that are sentient enough to have personalities the set design, costuming and other futuristic grace notes peppered throughout Los Angeles in 20-whenever are specific, weird and familiar.
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